Sandro Botticelli's Oil Paintings
	Sandro Botticelli Museum c. 1445 – May 17, 1510. Italian painter.
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Here are all the paintings of Pierre Renoir 04

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
30086		Woman Lifting her Skirt	mk64 1877 Oil on canvas 69x23cm
30188		Woman Picking Flowers in the Garden of Les Collettes	mk64 1912 Oil on canvas Paris,Galerie Danie Malingue
30080		Woman Reading	mk64 c.1874 Oil on canvas 45x37cm Paris,Muse d'Orsay
3429		Woman Reading fff	1874-76 45 x 37cm Musee d'Orsay, Paris
3430		Woman Reading fff	1874-76 45 x 37cm Musee d'Orsay, Paris
3472		Woman with a Cat	1875 22 x 18 1/4 inches National Gallery of Art, Washington
28816		Woman with a Cat	c 1875 Oil on canvas 56 x 46.4 cm Washington D C National Gallery of Afrt gift of Mr and Mrs Benjamin E Levy (mk64)
3481		Woman with a Parasol and a Small Child on a Sunlit Hillside	1874-76 47 x 56.2cm Museum of Fine Arts, Boston
28664		Woman with a Parasol and Small Child on a Sunlit Hillside	c 1874-1876 Oil on canvas 47 x 56.2 cm Boston Massachusetts Museum of Fine Arts bequest of John T Spaulding (mk64)
28579		Woman with a Parasol in a Garden	1873 Oil on canvas 54.6 x 64.7 cm Madrid Museo Thyssen-Bornemisza (mk64)
28666		Woman with a Parrot(Henriette Darras)	1871 Oil on canvas 92.1 x 65.1 cm New york Solomon R Guggtenheim Museum Thannhauser Collection gift of Jestin K Thannhauser (mk64)
30087		Woman with a Straw Hat	mk64 1880 Oil on canvas 50.2x61cm
3456		Woman with Guitar	1896-97 81 x 61cm Musee des Beaux Arts
3528		Woman with Lilacs
3470		Young Boy with a Cat	1868-69 124 x 67cm Musee d'Orsay, Paris
30145		Young Girl Bathing	mk64 1892 Oil on canvas 81.3x64.8cm New York,The Metropoltan Museum of Art.
28558		Young Girl in a Lace Hat	1891 Oil on canvas 55 x 46 cm Private collection (mk64)
30129		Young Girl in a Straw Hat	mk64 1890 Oil on canvas 46x38cm
28657		Young Girl in a White Hat	1891 Oil on canvas 55 x 46 cm Private collection (mk64)
3427		Young Girl Reading	1886 55.5 x 46.5cm Stadelsches Kunstinstitut, Frankfurt
3520		Young Girl Seated	1909 Musee d'Orsay, Paris
30154		Young Girl Undressing	mk64 1899 Oil on canvas 35x26cm
30094		Young Girl with a Falcon	mk64 1880 Oil on canvas 126.5x78.2cm Williamstown,Massachusetts,Sterling and Francine Clark Art Institute
3535		Young Girl with a Parasol	1883
28676		Young Girl with a Rose (Mme Colonna Romano)	1913 2' 1 3/4'' x 1' 9 1/2''(65.5 x 54.5 cm)
30130		Young Girl with a Swan	mk64 1886 Oil on canvas 76x62cm New York
3485		Young Girl With Daisies	1889 25 5/8 x 21 1/4 in. (65.1 x 54 cm) The Metropolitan Museum of Art, New York
28636		Young Girl with Daisies	1889 Oil on canvas 65.1 x 54 cm New York The Metropolitan Museum of Art Mr and Mrs Henry Ittleson Jr Fund (mk64)
3507		Young Girl with Flowers
28681		Young Girls at the Seaside	1894 Oil on canvas 55 x 46 cm Paris Private collection (mk64)
3460		Young Girls by the Seaside	1894 55 x 46cm Private Collection
30138		Young Girls in a Garden in Montmartre	mk64 1892-1895 Oil on canvas 37x50cm
30132		Young Girls Reading	mk64 c.1889 Oil on canvas 64x54cm
3486		Young Woman Bathing	1888 85 x 66cm Private Collection
28592		Young Woman Seated	1890 Oil on canvas 91 x 72 cm Private collection (mk64)
28598		Young Woman Seated(The Thought)	c 1876-1877 Oil on canvas 66 x 55.5 cm (mk64)
3433		Young Woman with a Veil	1875 61 x 51cm Musee du Louvre, Paris
30195		Young Women in the Country	mk64 1916 Oil on canvas Besancon,Musee des Beaux-Arts et d'Archeologie
3487		Yvonne and Christine Lerolle Playing the Piano	1897 50 x 67cm Musee de l'Orangerie, Paris
3527		Yvonne and Christine Lerolle Playing the Piano	1897 Musee de l'Orangerie, Paris

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Pierre Renoir

French Impressionist Painter, 1841-1919 Pierre-Auguste Renoir (February 25, 1841?CDecember 3, 1919) was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty, and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau". Renoir's paintings are notable for their vibrant light and saturated color, most often focusing on people in intimate and candid compositions. The female nude was one of his primary subjects. In characteristic Impressionist style, Renoir suggested the details of a scene through freely brushed touches of color, so that his figures softly fuse with one another and their surroundings. His initial paintings show the influence of the colorism of Eugene Delacroix and the luminosity of Camille Corot. He also admired the realism of Gustave Courbet and Edouard Manet, and his early work resembles theirs in his use of black as a color. As well, Renoir admired Edgar Degas' sense of movement. Another painter Renoir greatly admired was the 18th century master François Boucher. A fine example of Renoir's early work, and evidence of the influence of Courbet's realism, is Diana, 1867. Ostensibly a mythological subject, the painting is a naturalistic studio work, the figure carefully observed, solidly modeled, and superimposed upon a contrived landscape. If the work is still a 'student' piece, already Renoir's heightened personal response to female sensuality is present. The model was Lise Tr??hot, then the artist's mistress and inspiration for a number of paintings. In the late 1860s, through the practice of painting light and water en plein air (in the open air), he and his friend Claude Monet discovered that the color of shadows is not brown or black, but the reflected color of the objects surrounding them. Several pairs of paintings exist in which Renoir and Monet, working side-by-side, depicted the same scenes (La Grenouill??re, 1869). One of the best known Impressionist works is Renoir's 1876 Dance at Le Moulin de la Galette (Le Bal au Moulin de la Galette). The painting depicts an open-air scene, crowded with people, at a popular dance garden on the Butte Montmartre, close to where he lived. On the Terrace, oil on canvas, 1881, Art Institute of ChicagoThe works of his early maturity were typically Impressionist snapshots of real life, full of sparkling colour and light. By the mid 1880s, however, he had broken with the movement to apply a more disciplined, formal technique to portraits and figure paintings, particularly of women, such as The Bathers, which was created during 1884-87. It was a trip to Italy in 1881, when he saw works by Raphael and other Renaissance masters, that convinced him that he was on the wrong path, and for the next several years he painted in a more severe style, in an attempt to return to classicism. This is sometimes called his "Ingres period", as he concentrated on his drawing and emphasized the outlines of figures. After 1890, however, he changed direction again, returning to the use of thinly brushed color which dissolved outlines as in his earlier work. From this period onward he concentrated especially on monumental nudes and domestic scenes, fine examples of which are Girls at the Piano, 1892, and Grandes Baigneuses, 1918-19. The latter painting is the most typical and successful of Renoir's late, abundantly fleshed nudes. A prolific artist, he made several thousand paintings. The warm sensuality of Renoir's style made his paintings some of the most well-known and frequently-reproduced works in the history of art..

All the Sandro Botticelli's Oil Paintings

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